Berklee Contemporary Music Notation

by Jonathan Feist,

Contemporary Counterpoint: Theory and Application

by Beth Denisch,

Latin Jazz Grooves: Berklee Workshop Series

by Victor Mendoza,

Music Notation

by Mark McGrain,

Reharmonization Techniques

by Randy Felts,

Music Notation: Preparing Scores and Parts

by Matthew Nicholl, Richard Grudzinski,

Berklee Music Theory Book 2 – Second Edition: Fundamentals of Harmony

by Paul Schmeling,

Harmonic Ear Training

by Roberta Radley,

Jazz Composition: Theory and Practice

by Ted Pease,

The Berklee Book of Jazz Harmony

by Tom Hojnacki, Joe Mulholland,

Berklee Contemporary Dictionary of Music

by Dr. Kari Juusela,

Berklee Music Theory Book 1 – Second Edition: Basic Principles of Rhythm, Scales, and Intervals

by Paul Schmeling,

Berklee Practice Method: Teacher’s Guide: Get Your Band Together

by Matt Marvuglio, Jonathan Feist,

Beginning Ear Training

by Gilson Schachnik,

Essential Ear Training for Today’s Musician

by Steve Prosser,

Author Spotlight

Ken Pullig

Ken Pullig is Chair of the Jazz Composition Department at Berklee College of Music. He was awarded Massachusetts Council of…

Victor Mendoza

Victor Mendoza, is a vibraphonist, composer, and professor at Berklee College of Music. He has been an invaluable resource in…