Learn effective techniques that will help you compose jazz tunes that have a balance of melodic, harmonic, and rhythmic appeal.
Become a more versatile and sought-after jazz arranger. Jazz Arranging explores techniques that will allow you to write effective jazz arrangements for all types of instrumental combinations, from bop and hard-bop, to big band jazz ensembles.
Become a versatile and sought-after jazz composer and arranger by advancing your skills with some of Berklee’s most renowned jazz educators.
Learn the principles of jazz harmony, as taught at Berklee College of Music.
This text provides a strong foundation in harmonic principles, supporting further study in jazz composition, arranging, and improvisation. It covers basic chord types and their tensions, with practical demonstrations of how they are used in characteristic jazz contexts and an accompanying recording that lets you hear how they can be applied.
You will learn to:
“When future beings unearth the artifacts of our culture, the Berklee Book of Jazz Harmony will stand out as the most complete summary of modern diatonic harmony used in jazz and popular music of this era. This book is detailed, sophisticated and surprisingly hip. I especially enjoyed the chapter on the blues as well as how the authors noted the effect of beat placement on harmonic choices. This sentence struck me: ‘We can hear and feel a chord operating one way when it arrives, but our interpretation of it that chord can also adjust retroactively.’ The book is replete with similar descriptions giving this complicated subject a life of its own, beyond the usual mathematics and terminology.”
“The Berklee Book of Jazz Harmony is eminently readable and user-friendly. The authors present the principles of jazz harmony and chord scale theory clearly and invitingly.”
—Keith Waters, Jazz Pianist, Theorist and Author of The Studio Recordings of the Miles Davis Quintet, 1965-68
“Clear, thorough, and practical, The Berklee Book of Jazz Harmony is indeed a welcome key to understanding not only the richness and order of jazz harmony, but also the many musical styles deeply touched by jazz harmony’s broad influence.”
—Michael Rendish, Founding Harmony Chair, Berklee College of Music
Tom Hojnacki is the assistant chair of the harmony department at Berklee College of Music. He has created a wide variety of…
Joe Mulholland is a professor of harmony at Berklee College of Music, and a former chair of Berklee’s Harmony Department….