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Books

Theory and Ear Training

“An inspiring and well-organized presentation, with clear and concise explanations pertaining to the most vexing notation problems. All composers should place this book at the top of their next-to-read list.”

—Alf Clausen, on Music Notation: Preparing Scores and Parts, by Matthew Nicholl and Richard Grudzinski

Berklee Contemporary Music Notation

by Jonathan Feist,

Contemporary Counterpoint: Theory and Application

by Beth Denisch,

Latin Jazz Grooves: Berklee Workshop Series

by Victor Mendoza,

Music Notation

by Mark McGrain,

Reharmonization Techniques

by Randy Felts,

Music Notation: Preparing Scores and Parts

by Matthew Nicholl, Richard Grudzinski,

Berklee Music Theory Book 2 – Second Edition: Fundamentals of Harmony

by Paul Schmeling,

Harmonic Ear Training

by Roberta Radley,

Jazz Composition: Theory and Practice

by Ted Pease,

The Berklee Book of Jazz Harmony

by Tom Hojnacki, Joe Mulholland,

Berklee Contemporary Dictionary of Music

by Dr. Kari Juusela,

Berklee Music Theory Book 1 – Second Edition: Basic Principles of Rhythm, Scales, and Intervals

by Paul Schmeling,

Berklee Practice Method: Teacher’s Guide: Get Your Band Together

by Matt Marvuglio, Jonathan Feist,

Beginning Ear Training

by Gilson Schachnik,

Essential Ear Training for Today’s Musician

by Steve Prosser,

Author Spotlight

Gilson Schachnik

Gilson Schachnik teaches ear training at Berklee College of Music. He is an active keyboardist, composer, and arranger, and has…

Paul Schmeling

Paul Schmeling is a master pianist, interpreter, improviser and arranger who has inspired countless students since he began teaching at…

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Categories

  • All Books
  • Arranging and Composing
  • Bass
  • Brass
  • Business
  • Collections
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  • Guitar
  • Improvisation
  • Keyboard
  • Performance
  • Songwriting
  • Strings
  • Technology and Production
  • Theory and Ear Training
  • Voice
  • Wellness
  • Woodwinds

Collections

  • New Arrivals
  • Best Sellers
  • Berklee Textbooks
  • Award Winners

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