Books

Berklee Textbook

Many of our books are used as textbooks at Berklee College of Music (as well as at many other institutions around the world). New books are adopted as texts to courses all the time, so if you know of others that should be here, please let us know and we’ll add them.

Berklee Guitar Chords 101

by Rick Peckham,

Complete Guide to Film Scoring (3rd Ed.): The Art and Business of Writing Music for Movie & TV

by Richard Davis, Alison Plante,

Berklee Contemporary Music Theory Front Cover

Berklee Contemporary Music Theory

by Vessela Stoyanova, Jeff Perry,

Music for Wellness: Feel the Music, See the Light

by Suzanne B. Hanser,

The Berklee Real Book: C Instruments

A Modern Method for Viola Scales

by Rob Thomas,

1107557 Hit Song Forms Cover

The Songwriter’s Workshop: Hit Song Forms

by Jimmy Kachulis,

To Be an Artist: Musicians, Visual Artists, Writers, and Dancers Speak

by Camille Colatosti,

Berklee Guitar Theory

by Kim Perlak,

Berklee Guitar Songbook

by Kim Perlak,

Berklee Violin Arpeggios, Chords, and Etudes

by Mimi Rabson,

Vocal Studies for the Contemporary Singer

by Anne Peckham,

New Standards: 101 Lead Sheets by Women Composers

by Terri Lyne Carrington,

Contemporary Etudes for Harp: For Pedal and Lever Harpists

by Felice Pomeranz,

Modern Jazz Theory and Practice: The Post-Bebop Era

by Steve Rochinski,

Violin Fingerboard Mastery: Contemporary Mapping Exercises and Improvisation Studies

by Jason Anick,

A Modern Method for Piano Scales

by Suzanna Sifter,

Making Music Make Money 2nd Ed.: An Insider's Guide to Becoming Your Own Music Publisher

by Eric Beall,

Hip-Hop Production: Inside the Beats

by Prince Charles Alexander,

Music Law in the Digital Age, 3rd Edition: Copyright Essentials for Today's Music Business

by Allen Bargfrede,

Conducting Music Today

by Bruce Hangen,

The New Music Therapist’s Handbook: Third Edition

by Suzanne B. Hanser,

Engaging the Concert Audience: A Musician's Guide to Interactive Performance

by David Wallace,

Understanding Audio: Second Edition: Getting the Most Out of Your Project or Professional Recording Studio

by Daniel M. Thompson,

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